Unit 3: Longer Fiction / Drama
English Lit · Unit 3 · Paper 3

Longer Fiction / Drama unit test

A test on this unit alone, marked as a percentage and a letter grade — for the test your class is actually sitting, rather than for May. Answer everything, then submit once: seeing the answer to question 3 before attempting question 4 makes the final percentage meaningless.

Each paper is built from this unit’s 48 terms and is the same for everyone, so a teacher can assign “Unit 3, Paper 3” and every student sits the identical test. Multiple choice is marked objectively; the written sections you mark yourself against the model answer and rubric.
Suggested time 33 min 30 points0/17 attempted
1

Ending types

2

Situational and verbal irony

3

Novel openings as contracts

4

Comic relief

5

Tragicomedy and problem plays

6

Allusion

7

Pacing and chapter structure

8

Dramatic irony

9

Deus ex machina

10

Comedy vs tragedy structurally

11

Time compression and dilation

12

Counter-narrative and writing back

Short answer 1. Define or explain: Chorus

3 pts

Short answer 2. Define or explain: Unity of time, place and action

3 pts

Short answer 3. Define or explain: Künstlerroman

3 pts

Short answer 4. Define or explain: Freytag's pyramid

3 pts

Free response

6 pts

This course has no free-response prompt tagged to this unit, so one from elsewhere in the course is used. It is still worth writing — the skill transfers.

PROSE FICTION ANALYSIS (Question 2, 6 points). The passage is from Aimee Bender's novel The Particular Sadness of Lemon Cake (2010). In it the narrator, Rose, discovers that when she eats food she can perceive the feelings of the person who prepared it. The passage, described (read the released passage at AP Central for the full text): On her ninth birthday, Rose tastes the lemon-chocolate cake her mother baked from scratch — her own requested flavor, chosen from cookbooks together, the kitchen overpoweringly pleasant, the first bite genuinely delicious. Then, as the light darkens outside, something shifts: beneath the fine chocolate and fresh lemons Rose begins to taste "smallness," shrinking, distance — a crowded spiral of her mother's thinking, even the clenched jaw behind the headaches her mother treats with rows of aspirin lined up like an ellipsis to her refrain about needing to lie down. The flavors feel hollow at the center: her mother's able hands made the cake, her mind balanced the ingredients, "but she was not there, in it." Frightened, Rose cuts a big slice — ruining the circle — and eats it in her favorite orange-striped chair, coaching herself with each bite (so good, the best ever) while each bite delivers absence, hunger, spiraling hollows; she reflects that her mother loves her so much she sometimes clenches her fists "from overflow," yet her hugs feel inadequate to what she wants to give. Rose eats the whole piece, "desperate to prove myself wrong." When her mother rises after six and finds Rose slumped by the chair, she smooths her daughter's forehead; Rose can still see the headache pulsing in her left eyebrow, "but the smile was real." Asked how the cake turned out, Rose answers "Fine" — with a wavering voice. Write a well-written essay analyzing how Bender uses literary elements and techniques to convey the narrator's complex experience of eating the cake her mother has prepared. You should: present a thesis with a defensible interpretation; select and use evidence; explain how the evidence supports your reasoning; and use appropriate grammar and punctuation.