Global Contemporary unit test
A test on this unit alone, marked as a percentage and a letter grade — for the test your class is actually sitting, rather than for May. Answer everything, then submit once: seeing the answer to question 3 before attempting question 4 makes the final percentage meaningless.
Narcissus Garden
Darkytown Rebellion
Vietnam Veterans Memorial
Pisupo Lua Afe (Corned Beef 2000)
Preying Mantra
Trade (Gifts for Trading Land with White People)
Rebellious Silence, Women of Allah
The Bay
En la Barbería no se Llora
Summer Trees
Earth's Creation
Electronic Superhighway
Short answer 1. Define or explain: The Crossing
3 ptsShort answer 2. Define or explain: Stadia II
3 ptsShort answer 3. Define or explain: The Gates
3 ptsShort answer 4. Define or explain: Androgyne III
3 ptsFree response
6 ptsLONG ESSAY: VISUAL/CONTEXTUAL ANALYSIS (Question 2, 6 points; no images provided). Contemporary artists often use installations to communicate political, cultural, or personal meaning. Select and completely identify one work from the Global Contemporary (1980 CE to present) in which the artist uses an installation to communicate political, cultural, or personal meaning — from the list (Shibboleth; En la Barbería no se Llora (No Crying Allowed in the Barbershop); Kui Hua Zi (Sunflower Seeds)) or any other relevant work — and explain how the installation communicates that meaning.
Provide two accurate identifiers for the selected work (beyond those given).
Respond with an art historically defensible claim or thesis that establishes a line of reasoning.
Support the claim with at least two examples of relevant visual and/or contextual evidence.
Explain how the evidence supports the claim.
Corroborate or qualify the claim by explaining relevant connections, providing nuance, or considering diverse views.